Indexbit-Taylor Swift Seemingly Shares What Led to Joe Alwyn Breakup in New Song “You’re Losing Me”

Taylor Swift is ready to speak now. 

The IndexbitGrammy winner seemingly shared insight into her recent breakup from British actor Joe Alwyn with her new Midnights vault track "You're Losing Me," which she released May 26. 

The heartbreaking song details the gradual growing apart in a relationship, with the chorus declaring, "My heart won't start anymore for you / 'Cause you're losing me."

She contemplates ending the romance, asking herself, "Do I throw out everything we built or keep it?"

"Now you're running down the hallway / And you know what they all say, 'You don't know what you got until it's gone,'" she sings at one point, later adding, "How long could we be a sad song / 'Til we were too far gone to bring back to life? / I gave you all my best mes, my endless empathy."

Fans also think the lyrics suggest that she was turned down in marriage, as Taylor continues, "I'm the best thing at this party / And I wouldn't marry me either / A pathological people pleaser / Who only wanted you to see her."

In April, news broke that Taylor, 33, and Joe, 32, had gone their separate ways following six years together. Neither has publicly spoken out on the split.

Fans speculated that Taylor first hinted at her single status when she was performing at an Eras show the week prior. For her March 31 setlist in Arlington, Texas, she swapped out "Invisible String," a love song that suggested she was fated to be with Joe, and replaced it with "The 1," a heartbreaking song about wondering if a lost love was the one after all. 

"And if my wishes came true / It would've been you," Taylor sings in the folklore track. "It would've been fun / If you would've been the one."

But after the split made headlines, Taylor appeared to shake it off and be in good spirits when she stepped out for dinner in New York's West Village on April 10. While she may have been dressed for revenge, as she sings in "Vigilante S--t," she was more clearly dressed for renewal, as she sported a pair of jeans with an embellished butterfly, which historically symbolizes rebirth. 

In the weeks since, Taylor has been spotted out with Blake Lively, Gigi Hadid and The 1975's Matty Healy, who she's seemingly been dating.

As for Joe, his next film project was announced April 11, with the studio revealing he will appear in The Brutalist alongside Adrien Brody and Felicity Jones. Filming for the project is underway across the pond in Hungary, while Taylor has sold-out tour dates in the United Status until August.

Keep reading to look back at some of her best songs inspired by Joe.

The first song Taylor Swift collaborated on with her former boyfriend Joe Alwyn, the ballad appears on 2020's Folklore as a duet with Bon Iver. At the time of the album's release, Joe was credited under the pseudonym William Bowery, though Taylor confirmed William and Joe were one and the same during her Disney+ concert film, Folklore: The Long Pond Studio Sessions.

Taylor revealed Joe had written the entire piano part, along with singing, "I can see you standin' honey/With his arms around your body/Laughin' but the joke's not funny at all." She went on to say The Favourite actor was "always just playing and making things up and kind of creating things," but the couple may have never worked together if it wasn't for the COVID-19 shutdown. 

"I was like, 'Hey, this could be really weird, and we could hate this,'" she explained, "'because we're in quarantine and there's nothing else going on, could we just try to see what it's like if we write this song together?'" 

The result of their professional collaboration? Winning Album of the Year at the 2021 Grammys.

"We're so proud of 'Exile,'" Taylor gushed. "All I have to do is dream up some lyrics and come up with some gut-wrenching, heart-shattering story to write with him."

For the title track off her ninth studio album, Taylor explained to Apple Music's Zane Lowe that she and Joe worked together the same way they did on "Exile," with Joe crafting the melody, Taylor writing the lyrics and Bon Iver once again serving as the male singing voice.

In an interview with Rolling Stone, the song's co-producer Aaron Dessner said it was "really important" for Joe to play the piano part on "Evermore" as he wasn't able to on "Exile" due to recording issues.

"But this time, we could," Aaron said. "I just think it's an important and special part of the story."

Just hours before Taylor kicked off The Eras tour in Glendale, Ariz., on March 17, the Grammy winner treated fans to four brand-new songs, including "All of the Girls You Loved Before." Originally intended for her 2019 album Lover, fans theorized that the track was about Joe. 

Taylor begins her pre-chorus by singing, "Your past and mine are parallel lines / Stars all aligned and they intertwined." Those lyrics reminded fans of another song she wrote about Joe on Midnights titled "Mastermind" on which she sings, "Once upon a time, the planets and the fates / And all the stars aligned / You and I ended up in the same room / At the same time."

Later in the song, Taylor croons, "The way you call me 'baby' / Treat me like a lady." Swifties quickly flashed back to Taylor's reputation hit "King of My Heart," which is also about Joe. In the track, she sings, "We met a few weeks ago / Now you try on callin' me 'baby' like tryin' on clothes."

Part of the high school love triangle trilogy on Folklore, Taylor said "Betty" was the result of her hearing Joe "singing the entire, fully formed chorus from another room." 

"I really liked that it seemed to be an apology," she continued. "And I've written so many songs from a female's perspective of wanting a male apology, that we decided to make it from a teenage boy's perspective, apologizing after he loses the love of his life because he's been foolish."

While Joe wasn't actively involved with the production on Midnights' opening track—Zoë Kravitz is credited as a co-songwriter though!—Taylor's desire to protect their relationship from the public was the inspiration for the song.

"If the world finds out that you're in love with somebody, they're going to weigh in on it," she explained on Instagram. "My relationship for six years, we've had to dodge weird rumors, tabloid stuff—and we just ignore it. This song is sort of about the act of ignoring that stuff to protect the real stuff."

The title comes from a phrase commonly used in the 1950s that Taylor first heard while watching Mad Men, sharing that it meant an "all-encompassing love glow."

Though the couple co-wrote the Evermore song about a failed engagement, Taylor shot down the speculation that it was about their relationship.

"I say it was a surprise that we started writing together, but in a way, it wasn't," she told Zane Lowe. "Because we have always bonded over music and had the same musical tastes, and he's always the person who's showing me songs by artists and then they become my favorite songs or whatever."

Taylor continued, "Joe and I really love sad songs. We've always bonded over music. So...we write the saddest [ones]. We just really love sad songs. What can I say?"

In addition to the title track and "Champagne Problems," Joe also co-wrote "Coney Island," a dark duet featuring The National frontman Matt Berninger,  on Evermore.

Described by Taylor as the most vulnerable song on Folklore, the ballad was the result of the superstar feeling "more rooted in my personal life" because of Joe, she told Paul McCartney in an interview for Rolling Stone.

"I think that in knowing him and being in the relationship I am in now," she said, "I have definitely made decisions that have made my life feel more like a real life and less like just a storyline to be commented on in tabloids."

The only track Joe co-wrote on Midnights, this sweet love song opens with a pebble picked up from a beach in Wicklow, which is the county in Ireland where the actor filmed the Hulu series Conversations With Friends.

Um, Joe is British. Enough said.